The portrait of Kit, a palomino Quarter horse mare, was commissioned by Rob and Dorien.
They are very happy with the painting.

I thought it would be quite interesting to know more about the lovely people who commission paintings from me, so I have started to interview everybody after I have delivered the commission.

This is the first interview!

Dear Rob and Dorien, you have chosen to commission a portrait of your horse, can you tell us more about her?

Our horse is an American Quarter horse mare. She is 24 years old. Her given name is Bar Cat Classic, in daily life: ”Kit”.
We have owned her for 18 years, we brought her, imported from America, when she was 6 years old.
She is a very sweet, but also very self willed horse. We have only used her for recreation, we never entered her in competition.
Although she has a very heavy muscular build, I cannot discover any halter class horses in her ancestry, but a very diverse group with quite a lot of reining blood.
So we think she is probably and old fashioned all-round horse which would be nice and stable while roping a cow.
I did fall a lot for her lovely palomino colour when we brought her.

When and why did the idea enter your minds to commission a portrait of your horse?

When Rob was about to turn 70 in 2009, one of his sister advanced the idea to offer a nice picture of a horse as a birthday present. When we heard that we immediately thought of a painting of Rob’s own horse. So much more fun and more personal as just a picture of any old horse.

Why did you choose Aafke-Art?

We have known Aafke since many years as a member of our national horse association and have always been impressed with her skills in drawing and painting.
Especially horses are her passion, as is clear when one sees her art works.
Of course this common love for horses creates an immediate connection.
Over the years we have collected quite a nice collection Aafke-Art works We have lots of drawings, some colored, a lithograph, some watercolors, and of course lots of her postcards. And of course the ”Pegasus Handbook”
When the idea of a portrait of Kit entered our heads Aafke was the first painter of choice.

Now the portrait is finished and in your possession, how do you feel about it?

We love it! Especially those enormous buttocks! We also really like how Aafke has captured Kit’s charisma!
It is if she has been rejuvenated, Aafke has watched her carefully and has captured her movements from some years ago. We asked the old lady to do a couple of show rounds through the meadow, and Aafke saw enough to be able to paint her withe her original panache. Usually the old lady doesn’t show such powerful movements anymore in the meadow since she has developed arthrosis in her front legs. She is now enjoying retirement.

Are you satisfied with the Artist? The way she works and the time it took her to finish the painting?

We are very pleased with the style of the paining, no background, just the natural, structured brown linen – very special and very beautiful. Nothing detracts from the horse.

As far as the waiting went: When the commission was given Kit was in her winter fur and in summer her color is so much more beautiful! So we did decide to wait, but we were not in a hurry. By the motto: All good things come slowly. But we never felt we had to wait too long.

Well, and the artist.. What could we say about her? ;)
Aafke is Aafke is Aafke. But then it starts to become a personal story and that is a very different story!
If I am onoy to talk about Aafke the Artist, then I say: very pleased, I admire her work. Time and time again I am amazed how fast she can work and only needs a few lines to really catch her subject.
I have witnessed the birth of the ”NVVR Kwartet” (a card game and the  used as a gift for all our members). It was at one of our club-weekends and we have split our sides laughing about it! I saw flowing from her pen one madly funny drawing following the other with enormous speed and dexterity. The game has become iconic. For me personally my favorite card is :”The foresters daughter”, from the four cards ”Nature’s beauties” was one of the very best inventions.

Kit
Oil on treated natural linen
27,6” x 27,6”


Je t’aime Dior
80 x 100cm
31,5” x 39,4”
acrylics on canvas

I love a good perfume. Ever since my teenage days I have had a penchant for the older chypre formulations. For many years Miss Balmain (1967) was my favorite fragrance, only interspersed with other scents to escape olfactory fatigue. ( The well known effect that your nose gets used to a scent when it’s always around)

At that time I didn’t know it was the special group of the chypres, but at some time it did start to cross my mind that whenever I particularly like a fragrance and read up it’s notes it turns out to be a chypre.

My chypre perfumes:
Pierre Balmain: Miss Balmain, Jolie Madame
Christian Dior: Miss Dior, Diorissimo
Chanel: Chanel no 19
Hermès: 24 Fauburg
Houbigant: Aperçu
Sisley: Soir de Lune

And somewhere in time I got a new bottle of Miss Balmain, and all of a sudden I didn’t like it anymore. Now it does happen that our sense of smell alters, but I think it was reformulated. They do that you know… They reformulate perfumes (and do not tell anybody about it) and it is never an improvement.
Now one of the basic ingredients of a chypre is oak-moss. And because some very few people tend to be a bit allergic to it it’s use is now severely restricted and all chypres ahve been reformulated (and maybe cheapened by exchanging the original ingredients for synthetics?)


Anyway, perfumes today are not what they used to be.
In comes the ”Vintage Perfume” and many searches on E-Bay… And while researching what really is the original formula, I came across many vintage advertisements, which I love, painted with a fast brush and beautiful colors! These were the days when models weren’t photographed, but send to artists who made drawings of them! The very best of these was Rene Gruau. I remember advertisements drawn by him from when I was a very small girl, and was hugely impressed by them.

I had to pay my homage. So I made these rather big paintings based on vintage ads and a famous vogue cover.

As I got more and more into vintage perfumes, I got fascinated by them, the advertisements, the mysterious worlds they invoke, the images in my mind of women wearing them… I decided I wanted to make my own advertisements, they are all meant to be from the fifties or forties.
Just wait for my next post!

I am now actually collecting these old perfumes, and wouldn’t it be fun to have an exhibition with the perfumes exhibited next to the paintings and small glass petrie dishes with a bit of chamois leather from which one could actually smell and experience these beautiful original perfumes?
I am looking for a gallery, or maybe a high end fashion shop!

I painted this for Safiyyah, who donated big time to get Carol’s cats home.
It is the Island mosque at Jeddah which I think is very beautiful in it’s simplicity, and in the sea.
One of these places you long to be at…

I am still not finished with my Pasadena works. But it is always so busy as soon as you come home, with work waiting, mountains of post to go through, problems to be solved and heavy metal festivals to go to… (Yes, did some sketches and they will be posted!)

Anyway, I loved the Huntington Botanical gardens and especially the Chinese Garden! This is a proper Chinese Garden, with a balance between Ying and Yang observed in all details.

I painted the lotus flowers there, here you can see them in the background while I am making a water color sketch.

This was sóóóó funny!
Due to the drought there isn’t that much grass in the meadow. Not that you would notice it by the Tarq’s condition which is extremely good, as per usual. (if not positively American Tourist size). But here was count Moritzo, defenitely in need for a snack, and who to our surprise turned out to be the most gymnastic, most circus-level athletic athlete in the herd.
Count Moritzo wanted the unreachable grass on the other side of the electric fence. So right in front of our eyes he stuck his right front foot out, sank down on his left knee, twisted his head and neck, and started eating away!

And this must be a long practiced habit because ever so easily he stood up, walked two steps and did it again!
I had to paint this!
Even if I had to leave my commission to work on it! (Don’t tell anyone!)

It’s a bigger canvas too: 27.6 by 27.6 inches

Count Moritzo needs a snack
Oil on canvas
27.6” x27.6”

This aquarelle has been painted to celebrate our successful rally to collect the money needed to bring a dear friend’s cats back to her.
Carol had to leave her cats behind as she and her husband left Riyad for Houston to continue his cancer treatment. Carol is now battling her own cancer and she misses her cats very much.
Over a period of three days we managed to get the funds together to bring her her old friends, and of course many people in America and Saudi Arabia have put in lots of work to get the cats the chips, vaccinations and travel papers they need.
I was planning to made a small pencil sketch (I did those late at night) to update people on how far we got. In the end only three days sufficed and I made only two sketches.


As we succeeded in collecting the money needed I celebrated with this sketch, which is used to illustrate the post announcing our success.
The two cats, Tripod and Saheeba will arrive in America next Saturday!

There is something about Pom, she is so very inspiring! And as it was the birthday of little I, I made this princess portrait of Pom.
It is a small oval canvas, 7” by 4” I think…

Still in Pasadena, and have been at the Huntington Library and botanical gardens.
I haven’t seen all yet, but until now my favorite spot is the Chinese Garden.

Real lotuses, delightful!
Acccording to Buddhism,
”Like a lotus flower that grows out of the mud and blossoms above the muddy water, we can rise above the defilements and sufferings of life.”

Pasadena Lotus
6” x 6”
Acrylic on painters board

A detail of the roof of the Pacific Asia Museum, the plan is for a kind of mosaic of small panels painted with details of Pasadena which struck me as I roamed about.

Roof Detail
6” x 6”
Acrylic on painters board

I have spend three days in succession running around Pasadena. Although, stumbling around in the debilitating heat would be a better description.
Here is another sketch of one of the small towers of the Pasadena Town Hall.

And I have also been to the Pacific Asia Museum.
This is a nice museum, and the building alone is worth while going there.
Tomorrows painting will be a detail of the roof!

And last Saturday the Q dropped me off at the Huntington. This is very expensive, but very worthwhile, lots of great art, different pavillions with exhibits, and beautiful gardens!

In the chinese garden the Lotuses were in bloom.

And I have been to a good art-shop, Blick, in Pasadena, and brought a starter set acrylic paint, and some small painters boards. I am now making a small painting of some Pasadena detail which cought my fancy every day.

While I was making the sketch of the urn at the Pasadena Town Hall, I saw this cute pidgeon!

Pasadena Pidgeon
Acrylic on painters board
6” x 6”


Aafke Art on YouTube

aafke at you tube

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