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Dior is a good friend, and so is dr Roxs, his private attendant, trainer, and stable boy.
Dior has a very elegant head, and carries it beautifully, he is also very dependable and very kind. It was a pure joy painting this sympathetic horse.

I started off with a beautiful canvas, very good quality solid wood, covered with the best quality linen. The linen is stretched the ”wrong way around”, so the beautiful greyish green natural linen is up front.

This is real quality, this will last!
Now, before you can paint on linen you need to size it, with gesso or acrylic. Of course this means you loose the linen color, and some of the texture. To keep the linen as it is, while still be able to paint on it I sized it with Lascaux imprègne.

To get a start I did a quick line drawing in acrylic. The drawback on this style is that I can’t really make a mistake because I can never get rid of it.

When I am satisfied with the line drawing, and confident it will be a good likeness, with all Dior’s proportions and personality.

Then I put on some basic color, very ”meager” quite thin. This is one type of painting where I want to keep the paint thin, showing lots of handwriting. Again, if I mess up I cannot scrape it off and start afresh. Basically I do give up the advantages of oilpaint.

Painting several more layers actually takes time. I don’t want to mess up by putting too much paint on the canvas, which is só easy to do! Neither do I want to become too fiddly, to precise, which is also much easier to do than keeping it fresh and straightforward.
It’s really difficult to explain, but it is easier to do an over painted, over detailed, over ”photographically-realistic” painting than keeping a grip on yourself and stopping before you get bogged down.
and trust your hand!

Especially the final touches have to be spot on, right color, right place, right thickness.
It’s best not to think too much about it…

The real test of course is when Diors personal attendant gets to see it…

More about that later!

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